POINTE & VARIATIONS CD LIST:

Click on CD cover for complete track listings and sound clips.

Compositions For Pointe

Order# BR02

 

 

Compositions For Pointe
Jonathan Bellman, Pianist
Provides the progression of exercises that

can be used for all levels of pointe classes!

Dr. Bellman has composed music specifically for the pointe

vocabulary, with music for Barre, Centre, and Traveling exercises.

Included is the celebrated principal variation from Raymonda,

Act III, music by Alexander Glazunov.

 

   

 

 

Compositions For Pointe II

Order# BR06

 

 

Compositions For Pointe II
Curtis A. Probel, Pianist
More music for pointe classes as requested!
Mr. Probel's music pleases with clear and fun rhythms to support

a full Pointe Barre and long tracks for Centre. Variations from

Don Quixote, Act III and Coppélia Act II are included.

 

 

 

 

 

Order# BR15

 

 

 

The Classics For Pointe
Lynne Haeseler, Pianist

A superb, masterful collection!

Dr. Haeseler has chosen music that perfectly supports the exercises

for Pointe classes. An inspiring collection of music that's beautifully

played, this CD can be used for all levels.  The Paquita Variation 3

is included. The piano scores for this entire CD are available,

Order # 15A

 

 

 

 

Classical Ballet Variations

Order# BR08

 

 

 

 

 

Classical Ballet Variations
Ritsuko Kubo, Pianist
Variations selected for national and international competitions!

40 Variations - 50 Tracks

Now in its third printing, this CD is a "must have" for your music

collection. Forty ladies' and men's variations are sensitively played

by Ms. Kubo and with the correct cuts and tempi. Ten variations

have two versions to accommodate differences in schooling and

choreography.

 

 

 

Order# BR12

 

 

 

 

 

Classical Ballet Variations II
Anthony J. Patterson, Pianist
Important variations for your students' repertoire!

43 Variations - 49 Tracks

This CD provides more classical variations for dancers of

intermediate to professional levels. Mr. Patterson's eloquent

phrasing captures the feeling of the ballets represented

contributing to the quality of interpretation by the dancer. Six

variations have two versions to accommodate differences in

choreography or phrasing.

 

 

 

 

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